Control Resonant composer says 'it was a great relief that we exited The Oldest House' but it was key that he 'tried not to re-do Inception' as it would have been 'a tad tacky' and 'reduced Remedy’s concept to something less worthwhile'

Game IP that leans on strong, original audio worlds can keep evolving without recycling its own tropes or Hollywood shorthand. For studios, the edge is increasingly in bespoke sound and music direction that signal conceptual depth, not just production value.