I hate that I don’t hate this song made with Suno
THE SO WHAT
A critic grudgingly liking a Suno-generated track is a cultural line-crossing moment—AI music is shifting from novelty to something audiences may accept on its own terms. For labels, platforms, and artists, the question moves from “is this real music?” to “who controls rights, revenue splits, and disclosure when AI output is actually competitive with human work.”
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